Five pieces out of Burwood, digging into the deep end of the disco catalogue and picking up a few modern dance hits along the way. Blame It On The Boogie, Hot Stuff, Rasputin, Daddy Cool, Dancing Queen, Lady Marmalade, Billie Jean. Setup is about as easy as a band gets: they're after a power point and they handle the rest. Fully covered for public liability. Good for a wedding reception, a big birthday, or any Sydney function where the dance floor is the main event.
See Discolicious play
Watch Discolicious perform and get a feel for their sound, style and fit for your wedding.
What it costs
PricingQuote on enquiry
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Pricing is confirmed before anything is booked. GST and travel are shown clearly on the quote.
Songs Discolicious can play
Search their repertoire or browse the list below. Ask us about a first dance or another song that matters to you.
Set 1Can't Take My Eyes Off YouSigned Sealed DeliveredHappySomething got me startedOne way ticketYouOh what a nightBoogie Oogie OogieFunkytownSet 2We are FamilyBillie JeanGet LuckySunnyYou make me feel like dancingDaddy CoolI will surviveUptown FunkCan’t stop the feelingSet 3Blame it on the BoogieNutbush City limitsNever can say goodbyeCake by the OceanDon’t leave me this wayProud MaryKnock On WoodMarry YouLady MarmaladeIt’s Raining Men
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Good to know
On the day
Room for five: drums, guitar, bass, keyboards and four vocal mic stands. Power needs to reach the guitar, bass and keyboard amps, so a single point in the far corner won't stretch. One thing to tell them when you enquire is whether the venue supplies a house PA, lighting and a sound person, or whether that's on the band. Either answer is fine. Discolicious carry a full PA and there's no extra charge for using it, so a room with nothing in it works just as well as one that's already kitted out.
What to expect
Five players, disco, and a set aimed squarely at the dance floor. The songs are the ones most of the room can sing without being asked to, which is the whole point of the format. Expect a night where the band works up rather than winding down, and where the back half leans on the hits people came hoping to hear.