Melanie and The Madmen

The act

Smooth vocals, real soul, and a vintage look to match the songs. Melanie and The Madmen work the 1920s through to the 1960s: jazz, swing, blues, wartime numbers, the American Songbook, rhythm and blues, musical theatre. Think Vera Lynn, Doris Day, Ella Fitzgerald, Peggy Lee, Bessie Smith, Julie London, Ray Charles, Ruth Brown, Aretha Franklin, Etta James. The repertoire is deep enough that requests are usually a yes. At Last, Back To Black, Big Spender, A Tisket A Tasket, Alright Ok You Win. Small rooms suit them and so do larger theatres, and the line-up scales from a duo up to a big band depending on the space. They need power and a covered spot to play.

See Melanie and The Madmen play

Watch Melanie and The Madmen perform and get a feel for their sound, style and fit for your wedding.

What it costs

Pricing Quote on enquiry For your exact date, venue and running time, we send an itemised quote.

Pricing is confirmed before anything is booked. GST and travel are shown clearly on the quote.

Songs Melanie and The Madmen can play

Search their repertoire or browse the list below. Ask us about a first dance or another song that matters to you.

A Thousand Years – Christina PerryA Tisket, A Tasket – Ella FitzgeraldAin't Misbehaving – Ella FitzgeraldAll About the Bass – Meghan Trainor, PMJ ArrangementAll Shook Up - ElvisAll That Jazz – Chicago MusicalAlmost Like Being In Love – Ella FitzgeraldAlright, Ok, You Win – Peggy LeeAnyone Who Had A Heart – Dusty SpringfieldAnything Goes – Cole PorterAs Time Goes By – Billie HolidayAt Last – Etta James

Good to know

What to expect

Melanie's voice does most of the work, and the vintage look is not a costume gag, it fits the songs. The material sits between the 1920s and the 1960s: jazz, swing, blues, wartime numbers, the American Songbook, rhythm and blues, musical theatre, gospel, funk and soul. Vera Lynn and Doris Day sit alongside Ella Fitzgerald and Peggy Lee, then Bessie Smith, Julie London and Ray Charles, then Ruth Brown, Etta James and Aretha Franklin. And they'll take newer songs backwards too, giving Michael Jackson, The White Stripes, Amy Winehouse or Duffy a vintage arrangement. The repertoire is wide enough that a request is usually a yes.

On the day

Two things and they're happy: power to the performance area, and a covered spot to play under.

Performance options

It scales a long way. Solo at the small end, then a duo of voice with either guitar or keys. The trio adds bass. A quartet brings in drums, and the quintet puts a trumpet or sax on top of that. Above that sits an eight piece with keys, guitar, bass, drums, trumpet, sax and trombone behind the vocal, and at the top end a twelve piece big band. Pick by the room, not by the number, and ask if you're unsure which one suits.

Insurance and paperwork

Public liability insured, Police check.

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